Saturday, December 31, 2011
So I know more happened in this issue than Martian Manhunter showing up to give Guy Gardner a hand, but once again, I find myself fixating on the new 52. So I guess J'onn and Guy never served together on the JLI? Since Guy is surprised and doesn't seem to recognize the Martian Manhunter, it seems pretty safe to say that the JLI never happened in any incarnation. I also was a bit annoyed that J'onn only talks about his affiliation with Stormwatch, since I thought he was on the League too.
I am still enjoying Peter Tomasi's look at the Corps as a whole; the focus on galaxy-level threats is pretty entertaining. Sure, the dramatic death on page 4 loses some dramatic impact because I don't know who that GL is, but that goes with the territory at this point. It's much more interesting seeing how the different Lanterns deal with their traumatic memories after leaving some of their fellow Lanterns behind. (I guess Hannu still got ditched by Hal Jordan in some way, since he's bugging out about leaving others behind in the same fashion.)
Fernando Pasarin's art continues to be nicely detailed and dynamic. I don't like his take on the Martian Manhunter with that weird, grooved skull, but I don't think he's responsible for that design. The Keepers have a fun look under their armor, even if we've seen similar builds on a few Sinestro Corps members.
Friday, December 30, 2011
It’s too bad, I sort of liked Madame Hydra’s absolutely insane new look, with that giant cephalopod on her head. I’m not sure where it happened (or how), but it seems she’s back to being her old slinky self after this issue. I’m going to guess she got changed in Secret Warriors?
I’m enjoying Bendis’ focused storyline right now, it seems he does his best work on the Avengers when they have a really cerebral foe working against them. I think Bendis needs to have one side or the other talking, so by having Osborn chatting away with his HAMMER flunkies, it means Captain American and the rest of the Avengers get to actually go out and kick some butt.
It’s always neat seeing new pair-offs when teams split up, and it works again here. Storm and Red Hulk? I never would have figured the two of them would work together, but they are both professionals, so it actually turns out OK. I’m not sure when Hawkeye and Spider-Woman got together, where is Mockingbird? Noh-Var and Iron Man make a neat team, but mostly because I’m intrigued to see the relative rookie try to deal with Iron Man after this issue.
I will say that Quake needs a real costume. She can’t keep running around with the big dogs in a standard SHIELD uniform. Daniel Acuna’s design sense is spectacular; I love his Kirby-esque take on HAMMER’s bad guys. (It’s worth noting that HAMMER seems to have Wasps, Giant-Men, and Hulks.) Acuna sometimes skimps on backgrounds, but with action this dynamic, I can forgive him.
Thursday, December 29, 2011
Has everyone had enough X-books? I know I have!
Let's jump back to regular books with the best super-hero title on the stands, Daredevil.
Is this one of the best covers ever, or what? I mean, this should be available as a Christmas card right now! Mark Waid contrasts the playful cover with a pretty serious story. Matt Murdock takes a group of troubled, blind children to a lodge every holiday season, but in this issue, things don’t go well. After being turned away and taking some back roads, the school bus crashes, leaving DD in wandering through the wilderness with a bunch of kids. To make matters more interesting, DD’s radar sense does little to nothing in swirling sleet and snow.
There is a bit of character development through flashbacks, but for the most part, this is a non-essential part of Waid’s ongoing story. That said, it is still worth it just to see Daredevil (actually, Matt Murdock) inspire a group of kids who really need it. It’s also worth noting that Foggy Nelson spots a bit of the old brooding Matt Murdock very briefly. I hope that mopey guy isn’t coming back, though, I like happy DD!
Paolo Rivera’s kinetic pencils do a great job with both the crash and the whirling weather. I love his ability to give each scene such rich detail while still maintaining a fairly cartoony look.
Wednesday, December 28, 2011
Jason Aaron continues his run on Wolverine with a new #1, and things sort of keep on trucking. I’m not sure this holds up quite as well as the last few trades featuring the Adamantium Men or Deathlok, but overall, Aaron still has a pretty good take on Logan.
The book kicks off in the middle of the story, with Wolverine’s body wreaking havoc in the real world while his soul gets tortured down in hell. I enjoyed Aaron’s hell, a rocky, barren place with lots of dead folks in cages and some mighty big demons and devils talking constant smack. Wolvie’s buddy Puck from Alpha Flight shows up, and you know how nice it is to see a familiar face. (Wraith shows up too, but I swear he was already dead!)
I was thrilled to play spot the villain with the hordes of dead guys going after Wolverine in hell. Sabretooth, Omega Red, legions of Hydra agents, Hand ninjas, I spotted the samurai from Frank Miller’s limited and the White Ghost (I think) from Warrant Ellis’ brief run with Wolvie. Another very old character from Logan’s past shows up, but that hits more an emotional level than a physical one.
I was all ready to complain about Silver Samurai showing up in hell to warn Wolvie of the troubles his friends were facing on the surface. As long-time readers of my blog know, my pet peeve is killing off established characters just to establish your new big bad. I’m fine with it if the writer is willing to put in the work to make me care about the dying character, but it is really lazy when the writer just picks a name off a list so that he can have a bloody costume in his book. Silver Samurai MIGHT be in this situation, but I saw some upcoming solicits that makes it seem like he might be back. I’ll hold off my annoyance for now!
Renato Guedes’ art is interesting, if a bit inconsistent. He has a tendency to draw lumpy faces, mostly on the guys. His Mystique looks great, and the demon designs are strong too. I’m not sold on the new band of Marauders yet, they are almost cool, but each of them has something that puts them too far over the top into ridiculousness (like the blades on Gunhawk’s revolvers).
Tuesday, December 27, 2011
I suppose they can't all be masterpieces! I've been a pretty vocal supporter of Mike Carey's run on X-Men Legacy, but this is the first time I can't keep up the good words. Carey makes an interesting choice, focusing on a group of X-Men that haven't had a lot of screen time in this book so far. Magneto and Rogue head off to India with Indra, Anole, and Loa, three X-students that I have never seen before. I like Anole, he seems like a pretty fun addition to the X-universe, but the other two aren't as impressive. I mean, it's hard to root for a Shadowcat-copy and a pacifist, you know?
Unfortunately, Carey combines his least-interesting cast with the worst villains from his run. The Children of the Vault work better as a high concept than actual antagonists. I never really worried about them when they first showed up, so I sure don't remember them well enough to have any idea what their goals are.
NOW, factor in one of the weaker artists of the Legacy run. Clay Mann is ok, but his art is a tad too soft. Nothing ever looks dynamic, and many of the panels look like excuses to show Rogue bending over while wearing slinky summer outfits.
Monday, December 26, 2011
It's going to be difficult to review this book and talk about anything other than the way Kaare Andrews draws Emma Frost literally spilling out of her uniform. Seriously, her chest is bouncing out in every panel and her underpants aren't exactly doing their job either. It's sort of fascinating that this comic came out looking like this. (And Storm has never been quite this endowed before, has she? It's crazy!)
At least Andrews is equal opportunity; Cyclops and Wolverine are hulking around with washboard abs too.
The story is another intersting mix of Warren Ellis' favorite themes. We've got some other-dimensional goodness that ties this to the Ghost Box storyline, but this time it's linked through the involvement of some old Alan Moore/Alan Davis Captain Britain concepts. I'm a little surprised to see such a sequel-type idea showing up from Ellis, and while he does mix things up nicely, when it comes down to it, this story owes a lot to the original.
One of the more interesting aspects of this one is "Dr. Crocodile," the leader of the African country where the X-Men travel to research new mutant births. He's a complicated character that fits in nicely with what we know of Marvel U history. He really seems like he was a pretty nice guy before he started making the hard choices. Interesting that he doesn't get along with Cyclops or Wolverine; you'd think they'd understand those "needs of the many" arguments.
This is another of those trades that is probably best enjoyed by folks who really dig either Ellis or Andrews. I'm not a huge fan of either (not that I dislike them, I'm just not a dedicated fan; I found this entertaining, but not riveting.
Sunday, December 25, 2011
After the madness of Necrosha and Second Coming, the X-titles had to come back to Earth. This trade can’t even compare to the breakneck pacing and excitement from those crossovers. When Matt Fraction takes a moment to let the team catch their breath, I lost my interest.
Fraction spends a lot of time bouncing around the team, but the title of the book comes from Hope’s travels to activate the “five lights” the new mutants who popped up on Cerebra after Second Coming. The problem is, Hope isn’t interesting enough to me. Her power as an “activator” is too passive for me, and her mix of spandex and military gear doesn’t fit in with the X-team look. I like the idea of her getting a small squad (including Rogue) to try and find the next generation of mutants, but I’m not as interested as I thought I would be, especially with Rogue involved.
White Queen puts together a bit of a heist-type crew to remove Sebastian Shaw from Danger’s prison, but again, with no payoff in this trade, there isn’t a lot to even judge. There are a lot of pages devoted to a story with no resolution in this trade. These “middle chapter” trades are pretty frustrating, and I imagine that feeling would be even worse following this book monthly.
Cyclops really has become a jerk. He’s practicing and relaxing by killing dinosaurs at the open of this trade! Sure, they are raptors, but still…
I’m not digging Whilce Portacio’s art anymore, so I enjoyed the chapter by Leonard Kirk the most. Portacio’s faces have always been a bit stiff, but his dynamic battles made up for it. With so few actual fights in this story, there is no chance for Portacio to show off.
Saturday, December 24, 2011
I think it is great the the X-Force title ended up being the driver for two mega-crossovers, Necrosha and Second Coming. Craig Kyle and Chris Yost are clearly fans of the same X-eras I am, which makes these two crossover feel familiar, yet exciting at the same time. This story feels like a mix of the Mutant Massacre and the X-Tinction Agenda, and that's a fun amalgam to get to play with.
Once again, the X-Force team is at the center of the crossover, as Cyclops dispatches the team on two different missions as the story moves along. For the entire first half of the trade, X-Force (plus Nightcrawler, Ariel and Psylocke) are on the hunt for Cable & Hope after their return to the present. There is some nice wetwork action, contrasted nicely with the rest of the X-Men. Nightcrawler in particular has some big problems with this team, while Psylocke doesn't seem to argue too much (that's probably why she joins the team after this story).
For some reason, Wolverine and Cable seem to play off each other well, and the first reunion scenes are quite fun as the two old vets get to try and out-tough each other.
X-Force's second mission teams them up with Cable and Cypher as they teleport to the future to take on Master Mold. This is supposed to be a one-way trip, but a heroic sacrifice keeps it from getting too bloody. Once again, Cypher's powers are amped up. He's a great character in this digital age, it seems.
Cyclops supposedly disbands the team at the close of this story, but Wolverine has other ideas. It's funny, didn't I read that Wolverine is now the kinder, gentler leader after Schism? I have some catching up to do!
Mike Choi's beautiful pencils still look great, but his art tends to look over-posed too. I think I like his work better when he handles entire storylines himself. Seeing him alternating with guys like Terry Dodson makes his work seem a tad stiff.
Friday, December 23, 2011
Rogue is another of the characters set up in contrast to dictator-Cyclops for this story. She spends the first half of the trade escorting Hope around (along with Nightcrawler) and she gets to use that sweet combo of X-powers we've seen before. I don't really see the connection between Hope and Rogue, but I do like that she seems to be one of the kinder, gentler leaders in the X-Men.
This is the title that introduced the heavy-hitter X-team, and I always love seeing big casts split up like this. Colossus, Rockslide, Namor, Archangel, Iceman, and Dust are part of this group, and they get the task of facing down dozens of future-Sentinels as they port into San Francisco. I honestly think this could have supported more pages, because who doesn't want to see these powerhouses throw down? Colossus suffers a rare "break" here when the nimrod-class sentinels work over his arm, giving this a bit of a Mutant Massacre feel.
Magneto fans should be sure to check out his big appearance here too. He's a one-man cavalry in this!
It's weird seeing Greg Land handle the art in this title. I expect to see White Queen and Psylocke arching their backs and laughing in pleasure, I don't expect Rogue and Magma to get that type of treatment. It's just... odd.
Thursday, December 22, 2011
Zeb Wells is a lucky man. He gets to write the big re-match between the New Mutants and one of their worst foes; Cameron Hodge. Hodge is a classic bad guy at this point, and he's boosted by his army of smiley-armored flunkies. These guys are straight out of my X-Men childhood reading, so this is absolutely a perfect book for me.
Wells gets to continue his neat chacter-developments too. Cannonball is really turning into a mini-Cyclops, willing to sacrifice his own team in order to keep Hope alive. He doesn't want to spend their lives cheaply, but he will spend them.
High points of these chapters include Karma's fantastic use as a body-jumping death-machine. I've never been a huge fan, but man, she was great. And I can't be the only person who's tickled at this new tough-guy Cypher. I mean, I guess violence could be considered a language, but man, he's just ridiculous now. Fun fun!
Most of the team fades into the background as the story moves past the Right, but Cypher stays in a lead role as he joins up with X-Force. Mirage also gets to play host to Hope. I would have given that fight to Mirage, but it seems Cable is a pretty good teacher after all. Who would have thought?
Wednesday, December 21, 2011
Welcome to the week of X-Mas, where I'll be reviewing X-books every day!
Whew! This is a behemoth of a trade, and it took me awhile to work my way through it. Just like some of the other recent mega-crossovers, this felt like a classic X-Story, and I'm amazed at how well the creators are rekindling the nostalgia. It's hard to break up a story this massive, but I'll try to do it by title.
The Uncanny X-Men chapters are pretty solid, and Matt Fraction gets to spend a lot of time dealing with the upsetting death from this story. I think it is a huge mistake. There is absolutely no reason that this character needed to die. The various writers do a great job building Bastion up as the big bad, and Fraction in particular amps up the tension through his star, Cyclops. I understand the need to make each story feel important, but man, this felt totally unnecessary.
Fraction's window into this book is Cyclops. He's the star of the book and all the big actions get their weight from Cyclops' reaction. It's interesting (to me) that Cyclops was one of my favorite characters as a kid, but he's not anymore. I certainly find him to be a fascinating character, but he doesn't feel like the old team-leader type that he did in the past. He really is a successful Magneto.
It's worth noting that Fraction has some fun with Namor too. He fits in nicely as the powerful loose cannon who KNOWS he's better than all his teammates.
Tuesday, December 20, 2011
That cover really says it all, doesn't it?
I usually like Greg Pak’s writing, but this series sure didn’t connect with me. Tyler Kirkham’s pencils look a lot like Marc Silvestri’s but without the sense of kinetic action Silvestri usually provides. He’s got the big lips and stripper poses down, though!
I probably should have realized that a series turning the Cuckoos into a legion of clones created in The World (one of Grant Morrison’s mad ideas) was never going to work for me, especially when the Phoenix force got shoehorned in too.
Issue 1 – the Cuckoos turn bad and run away from the Xavier School
Issue 2 – Cyclops talks tough and puts together a crew to go after the ladies
Issue 3 – Jake Oh (wasn’t he in War Machine?) shows up to get knocked around by the Cuckoos. We see the big cavern full of Emma Frost clones created from her harvested eggs (WEIRD).
Issue 4, 5 – TLDR
Summary: Issues 1-5 SELL
Monday, December 19, 2011
Man, these trades seem to take forever before they come out. Doesn't it seem like forever that Marvel did their big media blitz about the Human Torch dying in this comic?
In any case, it is clear that Jonathan Hickman is really keen on his Future Foundation concept, that's where this book is leading. In fact, the Foundation operates as a team through this whole collection, with Val and Franklin both exhibiting their world-class powers, and Alex Power seems right up there now too.
In contrast, the FF spend this collection split up handling different missions, many of them wrapping up old FF storylines. Reed Richards heads out to Nu-Earth to convince Galactus that he doesn't need to destroy that planet. Susan Storm heads under the sea with Namor to broker a peace treaty with the ancient Atlanteans she discovered in the polar icecaps. Meanwhile, Ben Grimm drinks the potion the Foundation made that will turn him back into a human for one week a year. So he and Johnny Storm go out on the town. (Johnny's reaction when Ben reverts to humanity is my favorite segment in the whole collection.)
Turns out that is bad timing, since Annihilus has chosen this moment to send another Annihilation Wave into the universe. This time, he's blasting free through the Negative Zone portal in the FF's headquarters. Closing this portal is the crux of much of the collection, and I found myself being won over by the snarky Wizard-clone (he might be the 2nd biggest brain in the Foundation).
Again, I like all these plots, but Hickman's take on the FF is so... dry. Johnny and Ben are the only two who have any fun with this hero thing. Killing Johnny off doesn't improve that situation. The final issue is a silent one, featuring the cast as they agonize over Johnny's death. (But hey, no body means a likely comeback, right?) I will be switching to the library collections for Future Foundation.
Steve Epting and Nick Dragotta are fantastic pencillers. From start to finish, this is a beautiful comic. The original Atlanteans include this awesome crab race that I marvel at every time they appear. Epting's art is simply stunning, and while he draws Susan Storm a tad young-looking, I love the way he draws her controlling a room with her confidence (even a room with Namor in it!)
Sunday, December 18, 2011
I’m slowly realizing that Jonathan Hickman does some things very well (his high concepts and world-building are top notch), while other aspects of his stories aren’t quite as riveting for me.
This is the second trade of Secret Warriors, and I can barely remember who half the cast is, much less their personalities or powers. Stonewall, Slingshot, Druid, and more spend the book sitting around. Sure, the book focuses on Nick Fury, Ares, and Phobos, but man, isn’t it weird that a title called Secret WarriorS would have so little to do with the team?
There is no debate that Hickman’s plot is pretty riveting. I love the whole idea behind the Leviathan conspiracy, and seeing all those Marvel spies tied together in more CGI graphics is pretty compelling. It is weird when the most interesting part of your story is a chart, though.
I will admit that I enjoy Ares any time he appears on panel. Seeing him try to navigate some sort of relationship with his son is quite entertaining, although I found Phobos’ quick induction into the ranks of deities as a bit odd.
The Dark Reign: The List issue is stronger than the rest of the book. Ed McGuinness’ kinetic, cartoony style has very little similarities with the classic Jim Steranko work with Fury in the past, but the comparison is there. McGuinness is clearly trying to bring back that 60’s feel with the flying cars, cyborg agents and wingsuits. It actually works.
Stefano Caselli’s departure is another loss for this comic. His larger-than-life action worked well in the first collection. Alessandro Vitti’s art is solid enough, but not as dynamic as Caselli’s.
Saturday, December 17, 2011
Joe Casey was pumping out the Iron Man series a few years ago, and I just now got around to checking out his Mandarin series. Quick question, this isn’t Temugin’s first appearance, is it? I know he showed up in Agents of Atlas, but I can’t figure out where else I know him from.
Casey re-tells the first few encounters between Tony Stark and the Mandarin, mixing in a liberal dose of Chinese politics and policies from Stark Enterprises. There are some neat bureaucratic elements, as Casey takes the time to give his supporting SHIELD characters some sweet lines.
Casey’s Mandarin is one egomaniacal dude. He spends half the book spouting off on how great things will be once he’s in charge, and the other half handing out pretty huge beatdowns. Heck, even in Iron Man’s rematch, Mandarin comes close to coming out on top. (At best, the fight is a draw.) There is no doubt that Mandarin is one of Iron Man’s most powerful enemies, but combining that power with an indomitable will like this makes him pretty scary.
Casey always finds interesting partners to work with on his projects, and Eric Canete is no exception. I’m not usually a big fan of Canete’s work; in a normal setting, his angular faces and penchant for over-doing technology don’t always work. However, with this finite series, that style works well. Even more organic foes like the Scarecrow look pretty spooky under his pencil. And of course, Mandarin’s rings and Iron Man’s armor look great, almost steam-punk in their design.
Friday, December 16, 2011
After being so pleasantly surprised by Chris Yost's work on X-Force, I had high expectations for this mini-series. I've always liked Domino, and she and Wolverine do make a fun couple. I had absolutely no idea what to expect, but even so, this book was a bit disappointing.
First of all, this barely qualifies as a Mature Readers book. Sure, every other word out of Domino's mouth is sexy talk about hooking up with Wolvie, but it just makes her look like a nympho with a ADD. Wolverine in turn looks like he gets led around by his privates; this book doesn't do either any favors.
While Yost does use a bunch of cool street-level villains (including an old fave of mine, Bushwacker), too many panels get used up just watching the couple shred faceless ninjas and assassins. That's the problem when your leads are killers, they can't be killing named baddies all the time, so the conflicts start feeling pointless. That said, seeing Black Mamba, Bullet, and the rest is pretty fun, and the duplicating sniper guy seemed pretty cool too.
Gabriele Dell'Otto re-designs a bunch of villains, just as he did in Secret War a few years ago. I like some, like Black Mamba and Bullet, but his Boomerang looks terrible, more like Dan Simmons' Shrike than a guy with boomerangs.
Thursday, December 15, 2011
I'm kind of over Dark Reign. What I've found is that all those minis that Marvel pumps out featuring tie-ins to the big event of the moment? Well, I just don't care about them if I don't read them right when they're shipping. I mean, you can pick up Red Hulk or X-Force and read that any time, but all the Dark Reign books are really tied to their era. Now that age is gone, and does any of it really matter?
Jeff Parker dodges some of the problems of the event-era comic by putting a lot of influence on Parker Robbins, the man under the hood. Parker is a fascinating character, alternately shown as a savage criminal mastermind (by Bendis) or an almost-Peter Parker-esque guy who is just trying to get by (Brian Vaughn and Jeff Parker's take). This series explains some of that personality split by showing that the more savage moments in New Avengers are the moments when Dormammu is ascendant, but the "regular" Parker's crimes are a bit more mundane. Sure, he's a thief and a bully, but he's not out to kill people.
Jeff Parker also seems to be having fun with the mob the Hood has put together. The Controller, Griffin, Wrecking Crew, and more all show up and get a few good lines as they either line up with or against the Hood. (I don't recognize the Squid or fish-guy in this. Are they old characters or new creations?) I'd say my favorite part of the whole Hood's mob angle is just playing spot the obscure villain.
Kyle Hotz's work is always stronger on mood and atmosphere than detail. He's not the best at drawing faces, but I really like the way he draws battles and the big emotional moments. I will say his Force re-design is terrible. Why would you mess with the original look?
Wednesday, December 14, 2011
The Many Deaths of the Batman!
Ah, 75 cents well-spent! I picked up this three part storyline because the name sounded familiar, and sure enough, this story did have a bit of buzz around it back in the late 80’s
Written by John Byrne with dynamic art from Jim Aparo, The Many Deaths of the Batman has very little actual Batman for the first issue and a half. Instead, we see how puzzling murders must be for Jim Gordon when Batman isn’t around to make intuitive leaps and help point the GCPD in the right direction.
Someone is killing men wearing bat-costumes. The interesting part is that each of the victims is the leader in his field; these were men of action like race car drivers, explosives experts, and gymnasts. I won’t give away the secret linking all these men, but it’s a neat twist that brings Batman in to the story nicely.
Gordon gets a medical examiner to bounce his ideas off (does this predate Harvey Bullock as Gordon’s regular plot-dumper?), and I like the idea that the GCPD is actually fairly competent. Sure, they need Batman to wrap up the case quickly, but the cops would have gotten there eventually.
Jim Aparo draws one heck of a Batman. He draws a lot of folks wearing bat-suits in this, but it is never really a question for the reader (aside from that first one). These bodies have different faces and physiques that make it clear there is only one Caped Crusader.
These self-contained bat-stories used to be the foundation of the line, I think that’s probably why I’m appreciating Scott Snyder’s run on the book right now.
Tuesday, December 13, 2011
Once again, I find myself ashamed and delighted at the new issue of OMAC. As other reviewers have stated, Kevin Kho, the ostensible lead of this comic really has no personality and hasn’t done anything. Maybe Bruce Banner was like this at first, but man, this re-telling of the Hulk is just weird. I don’t read many comics where the lead is a complete cipher, but this book certainly qualifies. There is no doubt that Brother Eye has the most recurring personality in this book.
But that’s not a bad thing. Kho’s lack of characteristic actually makes him more identifiable. He’s just a normal guy trying to live his life, only he’s got a sentient satellite holding him hostage while simultaneously facing down techno-alligators in the subway. Dan DiDio and Keith Giffen have done a wonderful job delivering mad ideas; the hologram-headed alligators grown from tablets certainly qualify.
It’s so much fun to see Keith Giffen enjoying himself. Well, maybe I’m wrong and he doesn’t like this, but man, it certainly seems like this Kirby-inspired madness is absolutely perfect for him. Any excuse for more Build-A-Friend’s is good with me!
Once again, a book I never planned to pick up is one of the few I’m still buying in the DCnU.
Monday, December 12, 2011
Well, I suppose I can understand how this series got downgraded to a limited. Let’s look at the stars of the book: Purple Man, Avalanche, Bombshell, Tiger Shark, Nightshade, Crossfire, Scourge, and a couple other folks no one has heard of. (Well, no one but a major Marvel nerd like me.) It actually makes me happy that series like this get made, because really, did Marvel ever think that anyone besides dedicated fanboys would care about the Purple Man trying to take over New York?
There is an element at the close of the book that makes the popularity factor rise a bit, but still, probably not enough to keep sales very high on this title. Dan Abnett and Andy Lanning are delivering fanboy comics here, no two ways about it.
This is a villain-caper book very much in the vein of MODOK’s 11 from a few years ago. These types of projects are great at casting a spotlight on characters that have never had it before. If you are a fan of Marvel minutiae, than maybe you too get a thrill from seeing the Shocker described as a powerful villain. Or Nightshade as a serious hazard.
Renato Arlem does a nice job drawing these third-rate characters. Tiger Shark looks imposing, Avalanche looks like a powerhouse, and Bombshell looks like a hottie. (Arlem sure likes drawing ladies with no pants. If it wasn’t for the coloring…) The action can sometimes look a bit stiff or photo-referenced, but overall, the art is pretty strong.
Sunday, December 11, 2011
At what point is it ok to be disappointed with less than an “excellent” issue of a book? Fortunately, I don’t need to worry yet, because this issue of Daredevil is right up there with the last five. This book is awesome!
DD got himself into deep water last issue when he faced off against Bruiser. Bruiser is a combo between Rey Mysterio Jr. and Booster Gold, and for me, that makes him the perfect villain. I love the guy after just two appearances, and hearing how he’s got a hit list to qualify him for a Hulk fight? Wonderful detail (as is his rank of Spider-Woman below DD on that list).
Mark Waid wraps both the fisticuffs and plot with nice little bows. Bruiser’s takedown ends up being a tad easy, but hopefully this isn’t the last we’ve seen of this guy. As for the secret alliance of Marvel villain groups, they’re all gunning for DD now. I’m not sure I buy that DD’s possession of that unique data disk buys safety for anyone else, but surely it puts a pretty big bulls-eye on his head. Judging from that smile, I’d say Matt Murdock is up to the challenge.
There has been a lot of justified praise going around about this artistic team. Bruiser’s look is great, and I love the way Marcos Martin draws the five villain reps in their fighting togs. I’m not usually a big one for coloring, but the bright, primary colors permeating this issue tell the story almost as well as the dialogue. This is great work from Muntsa Vicente.
This is the best comic on the stands!
Saturday, December 10, 2011
I shouldn’t be surprised, but once again Jeff Parker’s story has left a smile on my face.
Jeph Loeb’s uneven (but fun) Red Hulk epic went on too long and never totally made sense, but it seems it left behind a few new viable characters. Thunderbolt Ross was always a jerk but seeing him red and Hulked out has added a lot to him. The best part about the first few issues in this trade is that it is one long run of folks getting revenge. Loeb really let Rulk go crazy through the Marvel U; Parker makes him pay the piper.
In the first issue, it’s Iron Man, next up is Thor, then the Watcher, followed by the Sub-Mariner. Each of these guys got punked a bit, but Parker lets each of them wail on Rulk for a bit to re-establish their cred. Thor’s is the best; Iron Man has some legit reasons to beat on Ross, Thor doesn’t exactly have that excuse.
The overarching plot that drives Rulk (and Rick Jones as A-Bomb) is the doomsday plan left in place by the Leader and MODOK should their Intelligencia fall. Since it did at the close of Loeb’s run, it’s up to Banner to put together a team to clean up the mess. There are some nice tie-ins to Parker’s Thunderbolts, the biggest being the reveal of Monster Island. Every comics company needs some reason to have some kaiju/giant monsters lurking around, so this just makes sense.
Gabriel Hardman continues to impress me with his beautiful artwork. His use of blacks is among the best in the business, along with Chris Samnee and Francesco Francavilla. He gets to design some epic new monsters and his new MODOK is wonderful. I’m a huge MODOK fan; I can recognize when a new design pays respect to the classics while still being modern. This book is gorgeous.
Friday, December 9, 2011
Who would have thought that this random pick-up in the new 52 would end up one of the last comics standing on my DC sublist? Scott Snyder has impressed the heck out of me the way he’s writing a Vertigo title in the mainstream DCU. Best of all, he’s done it while repeatedly referencing that yes, Alec Holland and Swamp Thing have a past. See DC, it’s not a bad thing for your characters to actually have done things before, there are still good stories out there!
We’ve seen the “legacy” deal many times before; I’m not blown away that there have been previous Swamp Things out to protect the Green from the Rot. However, I’m absolutely tickled by the idea that before humans were the dominant species, we had Swamp Mudskippers and Swamp Dinosaurs. That’s a level of madness I can truly appreciate (especially when rendered so well by Yanick Paquette on that cover!)
Marco Rudy does his best, and it really doesn’t fall that short from Paquette’s work. The closing shot of the Rot’s next round of creatures is truly disturbing, lending a real chill to the close of the issue. His work on Alec Holland and Abigail Arcane is strong too, and I’m shocked how good he is drawing tumors blasting out of people’s mouths. You’d think that skill would take longer to refine.
Thursday, December 8, 2011
Oh, digital copy, you make all the difference. Those $3.99 titles that seemed so untouchable are just about worth it when I get a digital copy to go along with the print. No need to buy an eventual TPB if the story is already on my tablet.
Zeb Wells continues to put together a fast-paced and entertaining story in this month’s Marvel Team-Up. It’s always tough using an established villain like Mole Man to show how tough a new baddie is (like this issue’s ruler of Subterranea), but Wells walks the line well. Clearly, Mole Man is still the favorite of his moloids and some of his monsters, but these new guys are definitely the bigger threat right now.
J. Jonah Jameson has as many lines of dialogue as the Red Hulk, and arguably just as big a role in the story. Spidey hasn’t had a ton to do in this one besides crack jokes and make fun of Rulk, so JJJ’s presence keeps this feeling like a Spider-Man comic. I’m not sure if these new guys have staying power, but laying down a beatdown on Red Hulk as decisively as Rak’Tar does this issue. (Ol’ Raky needs an easier to remember name, though.)
Joe Madureira’s art is still fun, and he still excels at drawing monsters. There’s a part of me that wishes we had a few more costumed heroes here, because I love his blend of manga and Western art, but seeing Spidey in that style does scratch the itch. It’s also worth noting that the new subterranean language looks fantastic when rendered digitally, the stone letterboxes almost glow on that black background.
Wednesday, December 7, 2011
Well, now I know why Black Tarantula never showed up again in Shadowland.
I picked these up for a dollar, and that’s about what they’re worth. I always say that Daredevil is not one of my favorite characters, yet I own a lot of DD comics. Well, DD may not be a fave, but he is at least a good plot-mover. When DD is off plotting, Dakota North and Foggy Nelson can’t keep the book moving with any momentum.
I usually like Andy Diggle, but this isn’t his best work. Roberto De La Torre’s art has improved a lot over the years.
Daredevil #508 – DD’s friends try to cope with his murder of Bullseye in the core series. Sell.
DD #509 – Luke Cage and Iron Fist try to talk some sense into their friend, but leave most of their dialogue in the core series. Sell
DD #510 – Elektra gets involved and we see how she got wrapped up into the main series. White Tiger gets some panel time too. Sell
DD #511 – So I guess Black Tarantula is actually dead? Weird choice. Too much time with the NYC cop. Sell
Final count: SELL DD #508-511
Tuesday, December 6, 2011
I've been waiting for Hellboy in Mexico for a long time. Mike Mignola talks about the convention card he drew years ago that inspired the story, and yeah, I've got one. I believe it was a Chicago con, if I remember correctly.
In any case, factor in monster-fighting luchadores with some beautiful Richard Corben art and this first story was just fantastic. I really hope there are some follow-ups on the way, either featuring the surviving luchadores OR the bat-monster dude. Just more Hellboy in Mexico! Corben does a great job with the wrestling moves too; this is a fun issue.
Double Features of Evil has the kind of high-concept BPRD case that I wish we could see more of. With Hellboy's own path in sort of a weird place these days, I relish these chances to see glimpses of his old cases. And that haunted house story! Wonderful!
The Sleeping and the Dead is surprisingly sad, given the amount of smashing and vampire-punching involved. Mignola provides a pretty neat explanation why there aren't many blood-suckers in his world. Heck, when they do pop up, Hellboy just kills them anyway. I also liked seeing some more random field agents in this story. The BPRD is staffed by government shlubs who know about monsters. They're not so good at killing them, but at least they know monsters exist!
Richard Corben returns for the Bride of Hell. Another fantastic short story featuring Hellboy's background at the BPRD. It's always neat seeing Hellboy mix it up with crusaders and religious nuts, so I dug this one too.
Buster Oakley gets his wish is just plain silliness. That's what I used to love about Hellboy in the beginning. It was fun seeing him bust heads when reality wasn't on the line! Kevin Nowlan handles the fun art and horror mix perfectly.
Monday, December 5, 2011
Let me put it this way, any story featuring Machinesmith is going to at least get a “Fair.” It’s an unfair advantage, but c’mon, that guy is awesome!
Ed Brubaker sometimes surprises me with these classic-feeling Cap stories. With so many espionage, “adult” feeling storylines, I forget how well Brubaker writes kooky Cap stories. I expect Machinesmith from Roger Stern and Mark Gruenwald, I’m pleasantly surprised when we get him from Brubaker.
Steve’s “Commander Rogers” persona isn’t quite as cool as Captain America, but the return of the photonic shield is welcome. That’s a neat mid-90s concept that works as well now as it did then. Brubaker includes some nice fights too (greatly realized by Dale Eaglesham’s pencils). There aren’t strong flunkies for Steve to whip up on, but I’m sated by the great use of Machinesmith’s googly eyes and extending arms.
I was pretty impressed by Dale Eaglesham’s Cap in the opening chapters. Steve was a hulking dude, looking like the Hulk about to bust out of both his normal uniform and his fancy tuxedo. Well it turns out that was a choice; when Steve loses the super-soldier serum he seems even smaller and weaker because he’s been a looming powerhouse for the whole series so far.
I also liked Machinesmith’s ridiculous identity as the head of security. His cover identity looked just as much like a super-villain as his normal body! Is that the most inconspicuous he can be?
Sunday, December 4, 2011
Wow, I’d heard that this was a below-average story, but this was brutal. I’m glad I waited for the big discount, but this probably should have been a library rental.
Daredevil is the ostensible villain here, but he’s never believable. I usually like Andy Diggle’s writing, but this had a ton of posturing and debate that never made it believable that DD would turn evil. This book tries to have the street-level heroes face down against the DD-controlled Hand, but it just doesn’t work.
I was actually interested while the story focused on DD dealing with Bullseye once and for all, but that was only for an issue. After that, we are supposed to accept the hordes of Hand ninjas as a legitimate threat to the street-Avengers who show up. But let me remind everyone of the ninja rule (also works as a robot or zombie rule): The more there are, the weaker they look. With a ton of ninjas bouncing around off light poles, I never worried for a moment that Luke Cage or Iron Fist would be hurt. Heck, the heroes agree to team-up with the Punisher! I don’t buy that either!
And it is not like there weren’t bad guys around! Kingpin and Lady Bullseye spent the whole series chatting! How about they bust some heads; this is the climax, right?
As a longtime DD reader, I was anxious to see the resolution to the Black Tarantula and White Tiger mind-control story arc, but that’s not here either. Maybe it is resolved in the DD trade?
I’m not a huge Billy Tan fan. His art is clear, but the Marc Silvestri influence just doesn’t do it for me. I did like the expanding horns on DD’s head as he loses control, but at that point I was so disappointed in Shadowland’s true villain (who appears out of nowhere) that I couldn’t make myself care.
Saturday, December 3, 2011
Now this is more like it! I was really disappointed with the last Gunslinger trade, it had storytelling problems and really didn't flesh out anything new or interesting in the tale Roland the last gunslinger. This story does not share those weaknesses.
The Dark Tower series works best (in the novel Wizard & Glass, I think) when the reader is shown glimpses of the expansive Mid-World, but never given a complete explanation. Why are so many elements of the "real" world mixed in? When does each part of the story take place? We just don't know. Little Sisters is full of those little glimpses of the familiar but it's all stirred up with those weird elements that Stephen King mastered years ago.
This collection has some great shots of the slow mutants, the ever-present threat to humanity that's only a step above a zombie. It's great seeing the kinder, gentler Roland try to reason with these creatures before he starts blowing them away. Eluria itself has all the hallmarks of a classic Mid-World town, with a church to the Man Jesus and a red cross painted on the tent outside town.
I don't like it when it feels like Roland is the last person around, too, and that definitely isn't the case here. The Little Sisters are currently working on a small group of drovers and bodyguards, and some of them actually get some dialogue, so once again it feels like Roland is a part of a bigger world. Sure, that world has moved on, but the remnants of civilization are still there. Heck, that's what makes the slow mutants and the little sisters so scary; if it was just monsters left it would be easier for Roland to give up.
The Little Sisters are pretty cool. They seem ok on the surface, but they've got a nice King grossness to them. The Dark Tower on their chests provides a link to the greater mythology, but of course, it is never explained. It doesn't need to be; these gross ladies just want to consume the liquids of their prisoners. Does it really matter why?
And of course, this story has that classic element of lost love, too. Roland has loved and lost a lot over the years. I think each trade should be required to have a sad connection for the gunslinger.
Luke Ross does a great job on the pencils for this story. In fact, I think his work might be the best fit for this series so far. It still looks and feels like a comic, but Richard Isanove's color palette keeps everything solidly rooted in the Dark Tower universe. The slow mutants look wonderful, the sisters are creepy, and Roland looks like a movie-hero. I do picture the gunslinger hand-cannons a bit bigger, but maybe that's just me.
This is one of the best Dark Tower books so far.
Friday, December 2, 2011
I finally caught up with the missing issues of Thunderbolts. Too bad the trade had to tie-in with the average Shadowland crossover. Fortunately Jeff Parker is a good enough writer to connect where he needs to, but still focus on his more interesting core plot.
The first few issues are a great showcase for Juggernaut, Crossbones, Moonstone, and the other evil members of the Tbolts. Crossbones has been a favorite of mine for a long time, and seeing him fighting so effectively with his new powers is pretty awesome. I love his callous murder too; it’s totally pointless and totally in character.
Then the Avengers come to visit. Steve Rogers, Thor, Luke Cage and Iron Man show up to take Ghost, Juggernaut, and Crossbones on a mission. Of course, things go wrong when Ghost inserts himself into Man-Things teleporting path. It’s a nice little character piece (featuring a hilarious talking frog) where each of the characters gets to flex their muscles and learn a little about themselves at the same time. The highlight has got to be how Iron Man takes out Ghost.
Ghost is the star of the final issue too, when he tells Moonstone his origin. It’s suitably tragic, making a fascinating character even more riveting.
Kev Walker and Declan Shalvey share the art duties and do a great job keeping things consistent. When Thor finally meets up with Troll, Walker does a tremendous job telegraphing the shock, but it’s still a great delivery when it happens. The design on that little frog man is wonderful too; too bad he has such a tragic end!
Thursday, December 1, 2011
The poor king of the seas can't catch a break. After he and Mera are sort of overwhelmed by the Trench, the cops are quite understanding. Geoff Johns is really pushing the point, but I love seeing that the cops don't blame Aquaman for failing to stop the deep sea creatures. They know he did his best; it just wasn't good enough.
No wonder Aquaman is always angry! I guess he's got other reasons too, including a weirdo scientist from his past that he turns to in order to find out more about the Trench. I'm a little surprised Aquaman couldn't make some of these leaps of logic himself. Stephen Shin is an interesting character, one that I'm sure we'll see again, but could Aquaman not tell that these guys came from deep water? Or that they need a lot of energy to survive? Not a huge issue, just odd.
I also love the way Johns is using Mera. She's powerful and capable, but she's still learning things about Aquaman, making her a great POV character for the reader.
This issue felt like it had a lot more bang for its buck, and that's due to how Ivan Reis laid out the issue. The book opens with a thrilling action sequence then follows it up with some drama-laden exposition. The whole thing leads nicely into a good cliff-hanger for next issue.
Wednesday, November 30, 2011
I'm still just tickled that there is an Avengers title out there that feels so right. Bendis loves the dialogue and relationships, but Warren Ellis is writing an Avengers comic where crap gets done!
This issue features Steve Rogers, Moon Knight (in a suit), Black Widow, and Sharon Carter. It's pretty great, because while this is still an Avengers comic with big baddies like elder gods, it works just as well as a drug-bust comic. The street-level heroes are all packing knockout guns and blasting their way around; it's pretty entertaining.
The high point of the issue has to be Steve Rogers' street fight. It's light on dialogue, but man, these amped up drug-dealers are a real threat. Steve is sporting a shiner for the rest of the issue after taking out just one of these guys. From that point on, it's K-O gun time! Moon Knight gets some sweet undercover action in his white suit too. More heroes need a formal-wear version of their costumes!
Michael Lark is a chameleon. This looks street-level and gritty, as it needs to, the big moments all get to shine. That double page knockout in the middle works because it is so jarring from the rest of the story.
Tuesday, November 29, 2011
You'd think ol' Hawkeye was fighting Spidey by the looks of that cover! I suppose there is some overlap with the Trapster's powers, though.
I'm enjoying Jen Van Meter's Hawkeye story as it moves into the second chapter. This is the definition of a plot-based story, you could plug in any hero to this story and it would work equally well; there are no real "Hawkeye" elements that make this a personal mission for him. That said, Van Meter writes Hawkeye as a competent and powerful hero who is out to do the right thing. The thugs are a tad generic, but you can't fault this book on action. There is a ton going on, including more super-villain goodness from Trapster. I hope another baddie shows up next issue, or that the bandaged gal turns out to be a real villain. (I would have guessed Moonstone, except that she's busy elsewhere.)
Roger Robinson draws a fantastic Hawkeye. There are a ton of really strong pages with great action shots. I got sketch from Robinson years ago, and I asked for Hawkeye then because I thought he'd do a great job. He did then and he's doing a bang-up job now.
Monday, November 28, 2011
Sunday, November 27, 2011
I like Fred Van Lente's writing. Heck, I even liked Marvel Zombies 3 that he wrote. But what is the point of this story? It's a random sampling of alternate universes where different forms of the zombie virus have taken hold (all named after famous directors, amusingly enough).
The problem is that this story can't decide if it wants to take the story seriously or if it is a joke. Machine Man and Howard the Duck? How are we supposed to take that seriously? And the original Black Knight's world is overrun with Deadites from Army of Darkness?
The last story is mighty confusing too, a more "realistic?" take on the zombie story? I'm not sure what the point was, but the whole thing comes off a bit oddly.
The art is a mix of decent creators, but my confusion at the tone of the story kept me from getting too wrapped up.
Saturday, November 26, 2011
Zeb Wells continues to churn out good, classic-feeling stories that acknowledge the rich history of the Marvel U without bogging them down in continuity. If you liked Inferno or the original New Mutants at all, you will dig this series. If you like super-heroes taking on mutant soldiers? Yeah, you'll like this a lot too.
Back during Inferno, Maddie Pryor used a bunch of mutant babies to bring about the end of the world. When it didn't happen, the US Government took those kids and set about turning them into weapons. In what is clearly a horrible choice, but logical in comic book-thinking, the government set up a base in Limbo to raise and train the kids. This gives Wells a chance to indulge in some classic sci-fi elements. The sped-up aging of Limbo; the horrific grafts of demonic transplants; and some absolutely killer designs for weird new limbo monsters. This is great stuff, and the design work of these bad guys is wonderful. Every one looks like they could star as the big bad on his or her own.
The "babies" as they're called have some sick personalities, but getting raised in Limbo would probably do that to you. Wells has examined the outlook of the New Mutants before, but seeing them contrasted against this other group makes a lot of sense. Sure, Cannonball used them poorly during Necrosha and Second Coming, but he never got close to using them as badly as the soldiers do the Inferno kids. Cannonball cares about his crew too much and takes his responsibility too seriously to ever think of his crew as resources. (Especially now that he and a teammate seem to be acting upon some long-theorized feelings for each other.)
Part of what makes the New Mutants work is how well the characters know each other (and we know them). Sunspot is going to be a cad, even when decked out with a sword and armor. Magma is noble. Magik is scheming and plotting. Wells keeps everyone in character so well. This is almost fan-fiction, except that it's handled so well.
Leonard Kirk is a fantastic artist and he's a great fit for this book. As I said, his design work on the Limbo demons is wonderful. There are some little frog-guys that just tickled me, and the vision-enhancing creatures that clamp their fists under their human host's jaw? Horrifying and cool at the same time.
Friday, November 25, 2011
I'm a few weeks late, but since I decided to pick up the upcoming Rick Remender-era of Secret Avengers, I've gone back to get Warren Ellis' run too. I'm glad I did.
If you liked Planetary but thought it was missing that Marvel something, then this is the title for you. The secret societies and snappy dialogue are all there, but now we've got Shang-Chi, Steve Rogers, and Sharon Carter taking care of business.
This issue features a Secret Avengers strike team out to destroy a group of terrorists before they can use a slice of reality to create a big bomb. It's pretty generic, but it gives David Aja a chance to show off some Escher-related combat on a satellite. Seriously, the plot is secondary in this thing, this is all about space-fu.
Ellis does have time to fit in some of his patented mad ideas. Arnim Zola 4.2.3 is so logical an idea, I'm puzzled how it hasn't come up before. Of course there would be old copies of Zola's personality still puttering around in old combat suits! Why not?
There are also a few nice moments with Shang-Chi questioning his role (and responsibilities) on an Avengers team. I'm not sure I totally buy Steve Rogers' explanation and rationalization at the end, after all, he did just use Shang to brutally incapacitate a lot of people. But hey, Rogers gives a good enough reason, one that Shang can probably use to justify sticking around. It probably would wear on you permanently hurting people like that, so the questioning works.
Thursday, November 24, 2011
Let's all give thanks for low-selling fanboy titles like Avengers Academy. I hope it can survive the current Marvel cancellation purge!
I get the feeling that Christos Gage has been looking forward to this issue's big showdown for a long time. It had to happen, Quicksilver and Magneto. With the Academy relocating to California, the timing couldn't be better. (Check out the battling logos on the cover: "Shattered Heroes" on top and "Regenesis" on the bottom. Go for those sales!)
While the conflict between the two groups is a little forced, I loved seeing folks like Whiz Kid (remember him?) caught in the middle. He's a mutant, but enrolled in Avengers Academy. Which side will he choose? And if there was any doubt about Gage writing Hawkeye well, check out the archer's reasoning of why White Queen is still evil: her outfit! This while Hawk is on a team with Tigra. (White Queen has some wonderful advice for Tigra too. What lucky students they must have.)
It is nice seeing Finesse throw her support behind Quicksilver. She's long been fascinated by Magneto and villains in general, so this switch to Quicksilver gives me hope that maybe she's going to be a hero after all. What a turnaround considering her history and actions so far.
I also really like Hank Pym's awkwardness around the other heroes. He's a neat hero, but man, Cyclops shoots down just about everything he says. Pym isn't quite enough of a tyrant to fit in with Scott Summers these days.
Sean Chen is a fantastic artist, I've sung his praises for years. I'm sad to see him go, but Tom Grummett will be another great "classic" replacement. That said, if Sean Chen can't make the current Hawkeye look work, then it is time to go back to the drawing board. Those purple sunglasses are plain awful. Why would Marvel move away from a classic design like Hawks' in order to get some synergy with a movie that's still six months away! Yuck!
Wednesday, November 23, 2011
Just to prove I'm not anti-DC overall, we've got Green Lantern Corps #3.
Peter Tomasi has put together an intriguing, stand-alone story that doesn't contradict the history of the DCU, it just adds another chapter. Admittedly, that's one gory chapter, but this issue is not quite as messy as the first two.
You know things have gone badly when Guy Gardner is willing to call back to Oa for some help. Salaak is suitably surprised, but there is just no way he can get reinforcements out to Guy and John Stewart in time. Enter Plot Device Lantern, a teleporter who strains and grits his way through some plot-necessary teleports, but at least he pays a reasonable price for it. And I do like the random feel of the GL who don't quite make it out in time. Tomasi has cultivated enough of a personality on our new Lanterns that I don't want to see any of them get pasted.
I like the idea that a souped-up willpower can withstand a Green Lantern ring. Does it make sense? Not really, but that's my kind of pseudo-science.
Geraldo Borges has some big shoes to fill, artistically, but he does a nice job. He's got that DC house style down pretty well, and he delivers on the multiple crowd scenes the story requires. The backgrounds are a bit sparse, there's a bunch of empty green panels, but the story explains much of that away nicely.
Tuesday, November 22, 2011
At the end of the day, I'm just not down with the Ultimate DCU.
Look, I get it. Geoff Johns and Jim Lee have made the League 10x cooler and 100x more extreme than ever before. Wonder Woman is chopping dudes to shreds. Superman is taking pleasure in knocking parademons' heads off. Aquaman has mutton chops and an attitude.
But man, the parademons look too much like daemonites from mid-90s WildCATS comics. Those collars just aren't doing it for me. I don't like Hal Jordan calling "dibs" when he first spots Wonder Woman. This reads like a mighty attempt to make "not your Dad's Justice League, kids!" The problem is, I'm the Dad! I liked Superman as the no-kill leader of heroes. I liked Wally West growing into his role as the new Flash. I liked Kyle Rayner as a competent third-generation hero.
This comic has 22 pages of totally extreme goodness, not a bad ratio in today's environment. There are a ton of splash pages, but Jim Lee makes them look like awesome pin-ups or posters, so I can't complain about that.
The real problem is that I just haven't connected with the new DCU at all. So I think this is my last JL issue. Avengers is going on the sublist.
Monday, November 21, 2011
It pains me to admit this, but the newest issue of Avengers was actually pretty decent. Bendis does these types of issues well; there is no fighting, but we get a long of interpersonal interaction as Captain America puts the new team together.
I admit to being a tad disappointed that Black Panther isn’t rejoining the team, especially since his solo book just got cancelled. (Don’t get me started on all the recent Marvel cancellations!) However, adding Storm is a brilliant move. She’s a powerhouse, so she fits right in as a great replacement for Thor, and she’s of course well-acquainted with Wolverine (I loved their casual greeting.) What I’m really excited about is all of the new interaction that Storm can have with all these new characters. She’s a gorgeous queen, mutant, and superhero; she’s going to shake the team up nicely.
Bendis hits another high spot with his return for the Vision. This isn’t Kid Vision from Young Avengers, this is the real deal. And Viz is in a weird spot, he can appreciate his friends being happy to see him, but for him, he just got taken out during Disassembled. He’s missed everything since. What a great new POV character for the team!
I haven’t read enough about Quake to know how she’ll fit in on the team, for now I can just declare that I want her to get a real costume.
Daniel Acuna’s art is still wonderful. That giant mural of the old Avengers team is fantastic, and his Storm is striking. I think he draws Red Hulk smaller than I imagined, more athletic than muscular. Vision looks sleek and classic.
I’m going to keep getting either Avengers or Justice League. Let’s see who wins the week.
Sunday, November 20, 2011
With this trade, Jeff Parker just became a "must-read" author for me.
I've got a stack of trades up to my knees, so I accidentally grabbed the wrong Thunderbolts trade. I skipped Shadowland and came straight to this one. I wanted to put it down and read them in order, but I found myself so immediately wrapped up in this story, I couldn't go back.
Parker has picked up the Thunderbolts/Suicide Squad concept and is now adding to the genre with every story. This trade is chock full of super-hero goodness. An alternate-reality Superman (Hyperion) joins the team to fight off gigantic Godzilla-based monsters. Dr. Strange shows up to help Luke Cage get some magic might on the team by strong-arming Satana. Best of all, the whole "back-up squad" idea gets a nice push as Songbird and Fixer put together a new group of villains to be ready to step up to the prime time group.
Really, the list of characters involved is all I need to be sold on this comic. Cage, USAgent, Mach V, Songbird, Fixer, Juggernaut, Moonstone, Ghost, Troll, Shocker, Mr. Hyde, Boomerang, I could go on and on. And Man-Thing! If he's not one of the best 70's characters ever, I don't know who is (especially the way Parker writes him). If you love the Marvel universe, this comic is for you.
As you'd expect, in addition to the greater plot-lines like lost Teutonic castles and monsters, the interpersonal stuff is wonderful too. Moonstone is plotting and scheming. USAgent intimidates everyone he talks to. Cage is walking that line between inspiring and forcing his team to be heroes. This is great stuff.
Kev Walker and Declan Shalvey share artistic duties, and they nail it. Walker's art is always striking, but he does a better job than I remember with the interpersonal stuff too; I love the scene when Satana tries to seduce her new teammates. (There is a well-placed word balloon to keep Moonstone's introduction from getting too titillating.)
Saturday, November 19, 2011
What can I say? You know it’s great. I know it’s great. There may not be many zombies, but Robert Kirkman packs another issue full of interpersonal conflict and maneuvering that keeps me riveted.
I did love the bit with the aged scotch. It would be a crime to share it with folks who wouldn’t even appreciate it!
I will say one thing: That mysterious figure from the last page? Gotta be Darryl, the best character from the show who never appeared in the comic. It’s called “synergy” people!
As for the TV show, I think the episode on November 13th was the best one this year. Maybe it’s because the cast knew that Michael Rooker was hanging around, so they had to be on their best behavior, but everyone was great. Even Lori was believable and didn’t sound embarrassed to deliver her lines!
I am super-ticked at Andrea though. In a world of zombies where gunshots will draw the roamers, you CANNOT shoot a single zombie with a high-powered rifle, especially when you’ve got four or five dudes already running up to it. That was a dangerous shot to make even if she was skilled, and we know she’s not. She took that shot to make a pouty statement, and could easily have hit her friends. Frankly, with all her whining and now this stupid move, I’m not going to cry if she gets eaten.
On the flipside, I love Maggie on the show. She’s a lot more timid in the comic, but I like this aggressive character on the show. She’s leading Glen around and it’s fun to see. Shane is going dark again too, which is fine with me. He and Darryl could be internal threats right soon. (I hope Darryl can throw off his brother’s influence, he’s got redeemed hero written all over him.)
Friday, November 18, 2011
While my interest in the greater DCnU is waning, the books that have continued right along are still great. Peter Tomasi is writing some of the best Alfred moments I’ve ever read, with the butler acting every bit the ex-spy he is. Damian may think he’s pretty smart, but Alfred’s been around the block a time or two, himself.
I love the personal vendetta motivating Batman’s newest nemesis. Plus, he seems pretty darn formidable, taking out both Bats and Robin in a few quick pages. Tomasi shows off his skills again with the riveting closing pages; I never figured an abandoned drive-in as a spooky place, but it seems downright surreal at the close of this issue.
This book has the DCnU staple of tons of splash pages, but Patrick Gleason makes it work. Batman’s big arrival about halfway through the book is striking and impressive, actually meeting the requirements for a good splash page. It’s odd that an appropriate use of splashes would impress me so much, but it’s one of the major failings of the relaunch so far. And look at Nobody’s design! That alien-looking head with those eyes, he’s a character to strike some fear into the hearts of do-gooders.
Thursday, November 17, 2011
Man, the Marvel street books are some of the most riveting on the stands right now. David Liss delivers yet another brilliant comic, again showing how skilled the Panther is, but he doesn’t short-change the villains either. BP is on the run for most of this comic, dragging along a wounded Wakandan citizen (who still calls him “king” in a nice touch). Things are tough enough while BP is facing down a crew of Hand ninjas, but they’re just the warm-up.
The two ladies on the cover do show up; Lady Bullseye is tough enough on her own, but when Typhoid Mary shows up, BP is overwhelmed. Liss has another brilliant touch when describing Mary’s powers as “Telekinesis. Pyrokinesis. Craziness.” That’s about right, isn’t it? Mary’s days on the Avengers Initiative never seemed so far away!
Shawn Martinbrough does a fantastic job keeping the art consistent. I was worried when Franco Francavilla moved on to another title, but it seems things are in good hands. Martinbrough has delivered some fantastic pencils over the years and it looks like Black Panther is going to be just fine.
Wednesday, November 16, 2011
I have to give Geoff Johns credit; while I’m losing interest in the rest of the DCnU, Green Lantern is chugging right along. It’s probably the simple fact that this book is just continuing on as if the reboot never happened. It’s not a coincidence that I’m dropping all the non-GL and non-Batman titles on my list.
I still find it laughable that Sinestro is even partially a good guy, but that’s what makes comics so great. I love seeing Sinestro show off his mastery of the ring. It must have been annoying for Sinestro to lose to Hal so many times over the years when he still knows so much more about being a GL than Hal does.
I’m also interested in the development of the Sinestro Corps. Will any of the members of that evil group side with their charismatic leader over the vague motivation of “causing fear?” I don’t think there are too many well-developed yellow lantern, but it’s a neat idea that Johns plants this issue.
Doug Mahnke was born to draw Green Lantern. His strong jawlines and piercing eyes are perfect for a hero like Hal, and try and tell me that Sinestro doesn’t look heroic too. This book is beautiful.
Tuesday, November 15, 2011
Can I just call this book Marvel Team-Up? Thanks!
So, I know this is a $3.99 title, but man, I have a hard time saying “no” to a team-up book. And I couldn’t this time either. I’ll weigh in on the digital thing too; I HATE the $3.99 price point, but a digital copy for that extra buck? That’s real value and it convinced me to pick this up.
Zeb Wells has always had a nice voice for Spidey, and that shows up again here. Spidey is a hard-luck loser who is lucky to be on the Avengers, even if none of them really want to hang out with him or give him a ride home. (How many heroes have that problem?)
What impressed me even more was Wells’ dialogue for J. Jonah Jameson. JJJ is fantastic in this book. He’s making hilarious comments in every mad situation he finds himself in. He almost copes as well as Spidey!
There isn’t a ton of development or dialogue with the Red Hulk, but visually, he pops nicely. Joe Mad’s art has a nice element of nostalgia for me, so seeing Spidey and Rulk running around is pretty exciting. There are a heck of a lot of splashes in this, but with 22 pages, there is still enough dialogue to make the book take a few minutes to read.
So yeah. I love Marvel Team-Up/Avenging Spider-Man.
Monday, November 14, 2011
Dang. Is there a better book on the stands than BPRD? I freaking love this comic. Mike Mignola and John Arcudi have created such a fascinating world, I can't get enough of it.
The world is in a rough spot. Some gigantic spore creature created a bunch of monsters in California, there's a volcano in Texas, and in Canada, entire towns are disappearing. This trade focuses on the Canadian diappearances, and it's a great, focused story about how the Earth is slowly giving way to chaos. While there are plenty of scenes for Kate Corrigan and the other folks back at HQ, the stars of this book are Abe Sapien and Capt. Daimio. It's been a long time since we saw the good Captain, but he's still out there doing his part to protect humanity. He just does it out in the woods like some sort of survivalist. These two men of action are a great team; it's been a long time since Mignola had two field agents who worked this well together (Hellboy had this relationship with both Abe and Roger the homunculus). The scene where the tentacle-beast chases the two of them through town while they empty AK-47's at him was thrilling.
As for Johann Kraus, he is getting harder and harder to like. The guy clearly blames Daimio for destroying his gigantic muscle-bod, and he's having a hard time thinking about anything besides getting it back. I understand Johann has had a hard couple of years now, but he's supposed to be a senior BPRD agent, and seeing him off in a daze all the time is unsettling. I am enjoying the developing suspicion he holds for Panya, the ancient mummy-woman.
One of the things Mignola and Arcudi do best is fill in the gaps around the stars of the book. Along with Devon, who has been around for a few books now, there are a couple more human field agents that really have the potential to add to the book. I loved the closing 8-page story with Carla. The world is crazy and she just put down a 60-foot monster, but she just wants to get home to her three-year-old. The world would go on, you know?
Guy Davis' art is simply amazing. That crazy pellican-monkey that's running around BPRD HQ is one of the silliest things I've ever seen, and yet I'm certain there is emotion in those weird eyes. The greenhouse, full of genetic mutations is another bright spot; when that gigantic hammerhead shark/gorilla hybrid comes out of the trees, who isn't tickled? One of my favorite Davis designs has always been his insane-looking Wendigo, Darryl. He shows up a few times in this, and man, that is one crazy beast-man!
I love it. What a fantastic comic.
Sunday, November 13, 2011
Now hold on. Are you telling me that this was how this story was supposed to end? Daniel Way wrote a 50-issue Wolverine series all about dealing with Wolvie's son and how the two of them would take out Romulus. Romulus, of course, was the terrible new proto-Wolverine created by Jeph Loeb. Romulus is bigger, faster, tougher and meaner than Wolvie or Daken. We learned he doesn't like samurai swords, Canadian experiments, and traveling by train. We learned that he (like most of the Marvel U) can brainwash Wild Child. We saw that he can manipulate everyone around him and that he wanted Wolverine to be the new leader of the "feral guy pack." (I honestly don't know what else to call it.)
And Wolverine beats him by having teammate Cloak just trap him in the darkforce dimension. Easy. Done. I usually avoid spoilers, but this is so silly and odd that I almost can't consider it a spoiler. I simply don't understand how they decided to do this. I read this series from the library, and thank goodness I did. If I bought this series, it would have gotten pulled and put in my used bookstore box immediately after reading this issue.
Wow. Resolving a 50-issue plot with a guest-star doing the dirty work.
Daken ends up in pretty much the same place he started too. And over-sexed, manipulative psycho out to get ahead and prove he's tougher than his Dad. I actually like Daken, he's a new type of character and there is a lot that writers can do with him that they can't with Wolvie. Daken's book has a lot of potential.
Cloak just picks drops him off.
The art is fine, I guess. Will Conrad and Scot Eaton handled the last few storylines in this book, and they are both good storytellers (I do prefer Eaton's hulking figures a bit more than Conrad's.) But man.
Romulus is just sitting in the darkforce dimension. Just sitting there. Done.
Saturday, November 12, 2011
Can we just call this Sleeper Season Three? Seriously, I had an extremely hard time keeping this separate from the masterful series that Ed Brubaker and Sean Phillips put together for Wildstorm a few years ago. (Actually, Sleeper is probably one of the saddest casualties of the Wildstorm reboot.)
I don't mean this as a critique, rather, it's a high compliment. I'm as riveted by Zack Overkill as I was about Holden back in the day. Brubaker writes scumbags, but he sure does make them likeable.
It's hard to go into specifics about this one; it's really quite tied to the original Incognito series and doesn't really wrap up on its own. There is some clear planning going on to set up a third Incognito series. Poor Zack is in a tough spot as this series ends, and I'm not certain that multiple people haven't maneuvered him exactly where they want him. Did those explosions Simon Slaughter set up ever get explained? Or what exactly he was doing with the time travel. I assume some of it was setting up Zack, but I think there's got to be more to it.
The supporting characters are once again a strength for this creative team. Brilliant concepts and perfect character design bring Zoe Zeppelin, King Midas, and more to life. I can't even remember the second-banana's name, the guy who is always giving Zack a hard time, but with his robotic eye and arm, you KNOW he's got some cool story that Brubaker is just waiting to tell.
Don't sleep on this one, Brubaker and Phillips have turned into one of the best collaborations in comics. We should enjoy it ever chance we get.