Tuesday, January 27, 2015
Wednesday, January 21, 2015
So basically the comics-based internet blew up with this news yesterday. Marvel’s folks are being intentionally vague on whether or not this is a real reboot or just an excuse to pull the best concepts from the Ultimate universe into mainstream Marvel.
My first thought is to laugh at how similar this is to DC’s Convergence event in April. What are the odds that both major publishers would put out events dealing with the minutiae of their continuity and alternate timelines? It truly boggles the mind. When you need a degree in comic book history to comprehend a new comic, which is usually a problem.
My second thought is that I won’t be buying Secret Wars. I might skip all the crossovers, depending on the creators involved. My main problem is that Secret Wars is spinning out of Jonathan Hickman’s excruciating run on Avengers and New Avengers. I’ve seen a lot of posts on message boards along the lines of “Hickman has done a good job so far, so I trust him to do this right.” Well, my experience has been the opposite. I’ve dropped all the core Avengers books over the last few years, so hearing that the entire Marvel U will come from the same architect? That’s a good reason to drop titles for me.
And what comes after the Secret Wars wraps up? Battleworld might be an amalgamation of all these different Marvel events, but the company is clearly using this as a chance to clean up their continuity. I’m thinking more Zero Hour than Crisis, but it will be interesting to see.
I think we can guarantee that Miles Morales: Ultimate Spider-Man will make his way into the mainstream Marvel Universe. I expect more characters to follow in the footsteps of Quicksilver, Scarlet Witch, and Toro and suddenly become Inhumans. Marvel is going to use this chance to re-categorize a lot of mutants and X-characters into Inhumans. (For those that don’t know, Fox owns the movie rights to X-Men and mutant characters, while Marvel owns the rights to the Inhumans.)
Will Marvel bring over other Ultimate characters? I'd think so. But having two Kitty Prydes or yet another Hulk doesn't seem like the best idea.
For the post-Battleworld “All-New Marvel Now,” I think we’ll see a ton of new #1s in the fall when Marvel tries to replicate the launch of the New 52. For that relaunch, I’m taking much more of a “wait and see” approach. It’s going to come down to creators and which continuity sticks and what doesn’t. I don’t have much interest in seeing Marvel’s continuity discarded or drastically altered. I know what I did when DC did that for the New 52.
TLDR version: I’m skipping Secret Wars and the associated books. I’m waiting to see what the relaunch of Marvel looks like after that. But I dropped all my DC books; I’m mentally preparing to do the same with Marvel if this is a real reboot.
When these issues popped up in a dollar bin at my local comic shop, I figured I’d peruse John Byrne’s recent work for IDW. Like most other comic book readers, I’m a huge fan of Byrne’s super-hero work over the years. It’s hard not to see his versions of many Marvel and DC mainstays as the definitive version. In fact, many of my current favorite artists are those that have a distinctive Byrne influence.
From what I understand, this is a relaunch of a concept Byrne had years ago about a solar flare that kills most life on Earth. After watching the devastation from orbit, the residents of an international space station return to the Earth in a desperate attempt to survive. The core group plays like a well-rounded action movie cast; everyone is pretty heroic, but there is enough variance in approach and outlook to pick out favorites.
The story follows the astronauts as they travel around the Americas, but Byrne does have other characters play important roles too. It is common in these disaster type stories to see glimpses of folks around the Earth as the world ends. Instead of making these random people, the folks we see at the start of the emergency are all folks who show up in later chapters. The circumstances for each are very, very different, but it is a neat idea to show pretty much the entire cast in the opening issue. From antagonist to ally, most of the people who appear in the story were there from the start.
The story itself is a tad on the generic side, especially if you’ve read a lot of post-apocalyptic fiction like I have. The escaped prisoners. The submarine crew who dove to avoid the dangerous environment, even the holy man who rediscovers his faith. These are classic tropes of the apocalypse.
All these years later, and Byrne still has the ability to tell a crackerjack story. The backgrounds are well established. The action is well set and choreographed. The characters are all pretty easy to remember and each one has a unique enough personality. Even after four issues, I don’t remember all the characters names, but I’m very clear on the outlook, personality, and look of the survivors of the international space station.
I’m not going to lie; I would prefer to see Byrne drawing brightly colored spandex heroes from the big two. His commission work shows that he’s still got the touch. In the meantime, this is a FAIR way to check out Byrne’s sequential work. If you’re like me, though, reading this will just make you want to go read some Superman and Fantastic Four comics.
Monday, January 19, 2015
Oh my goodness. I’m glad my store recommended this book. Not just for me, but for my daughters. They went absolutely bananas (or maybe they went nuts?) when we read this book together. They were laughing out loud reading the Squirrel Girl theme song. They adored Doreen Green’s smack talk. They are in love with Tippy Toe. I’m not sure if Marvel realizes what a fantastic introductory comic they have here.
Ryan North has done nice stuff with Adventure Time, but he seamlessly transitions into the Marvel U with a smart, quirky, and truly funny take on Squirrel Girl. He knows his stuff, deftly dodging the continuity heavy explanations around his first villain, the convoluted Kraven. I’m a life-long comic reader and I no longer understand what Kraven’s deal is, thank goodness I don’t need to know in order to enjoy this comic.
In addition to Kraven, North has the crowd-pleasing Deadpool trading cards giving extra insight and commentary about guest-stars and villains. For my gals, this humorous insight is invaluable extra information! (I’m not sure I love the extra info in the orange text at the bottom of the page. The jokes weren’t as tight and sometimes ended the page on an anti-climactic note.)
Erica Henderson’s art? Another home run for this book. She captures the fun and quirky joy of being Squirrel Girl on page one. The art is cartoony and non-flattering to our star, at least by modern comic book standards. And that is the PERFECT choice for this book. Squirrel Girl is about being powerful, empowered, and loving life. It doesn’t matter if Doreen is drawn like Lady Death or not. I can’t wait to see future guest stars. I was laughing at the Giganto trading card; I think Henderson needs to start drawing as many Marvel monsters as possible!
I really, really hope that comic book fanboys can look at this art and see it for what it is. I don’t have a lot of faith in us, to be honest. Most of us older fanboys want our comic book ladies looking a certain way, and the art in this book doesn’t hit that target. I’m convinced that is what killed the fantastic She-Hulk series that was just cancelled, so I really hope that this EXCELLENT debut doesn’t suffer the same fate.
Friday, January 16, 2015
It is amazing the way comics require characters to go through radical changes, usually totally ignoring previous continuity and characterizations, in order to meet the criteria of a new series or requirement.
Nick Spencer doesn’t have an easy job here. He’s writing the new adventures of Scott Lang; Ant-Man, but Spencer has to set some new ground rules. Scott Lang is now a bit of a screw-up. He’s always been an ex-con, but he’s struggling a lot more here than he was in his last appearances in FF. Lang has still done all of the things we remember, but he’s much more of a sad sack; a perennial loser who sleeps in a run-down apartment on a bare mattress.
His daughter Cassie? Instead of being the confident 2nd-generation hero Stature, she’s a normal high school student. She’s very comfortable with her Dad’s powers, but her mother isn’t. Lang’s ex-wife has the biggest role I’ve seen in any comic so far as she tries to keep Cassie clear from her loser of a Dad.
So these are some pretty big changes! That said, this is a really good comic. Every reader is going to start rooting for Scott Lang to succeed from page one forward. Cassie is a cool gal and a great friend to her Dad. Ant-Man’s powers are neat, useful, and handy. It may have taken a slew of changes to make it work, but the high concept for Ant-Man’s new series sure seems like a winner to me.
Spencer fills out the first issue with some established Marvel characters to make sure we see Ant-Man from a few different perspectives. Victor Mancha (from Runaways), Prodigy (from Young Avengers), and best of all, the new Beetle (from Superior Foes of Spider-Man) are all competing with Lang to be Iron Man’s new head of security. The different personalities and outlooks are a great glimpse into the many levels of the Marvel U. The interaction between these characters really gives me hope that Spencer might be picking up the same tone as he established in Superior Foes.
And as a Hank Pym fan, I’m pleased that Lang seems to be nothing but kind towards his mentor and benefactor. I don’t want to see Pym thrown under the bus in any more new stories!
Marvel has been a bit risky with the art on some of their new launches recently. Fortunately, Ant-Man’s art is top notch from the start. Ramon Rosanas has a style that reminds me of Chris Samnee’s fantastic work on Daredevil. The new Ant-Man suit is a modern-update on the original, classic look. Rather than skewing too heavily towards a “realistic” or Marvel cinematic look, Lang’s costume looks wonderfully “comic book” based. Rosanas’ style is wonderfully modern while still giving all the characters a classic Marvel flair.
The Pym references along with the recap of Lang’s history as Ant-Man gives me high hopes that Spencer knows this character’s place in Marvel history. I think we’re in for a treat. This is a GOOD new series.
Wednesday, January 14, 2015
Once again, Multiversity and Grant Morrison deliver a comic that I wish I could be reading every month. Let’s face it; each and every issue of Multiversity has given us a book superior to many of the monthly comics published by DC comics every month. But while many of the Multiversity issues have been good, a lot of my enjoyment has been conditional. There have been some big issues that kept me from loving the issue as-is. With Thunderworld, I have no such problems.
Morrison’s Captain Marvel is a smart and dynamic hero in a world full of excitement. Morrison dodges the gritty, modern sensibilities that Geoff Johns emphasized in his modern reboot. Instead, Morrison embraces the joy, optimism, and excitement that happens when a little boy, his sister, and his friend transform into the world’s mightiest mortals.
Focusing on the Sivana Family rather than Black Adam, Morrison leaves plenty of concepts un-mined for future follow-ups (that I can only dream about). The alliance of Sinvanas from multiple dimensions is handled so well that I found myself amused and spooked while reading the same panel. It is hard to laugh at the spooky, murderous Sivana who seems obsessed with Mary Marvel after only a glimpse. (That is probably the New 52 Sivana. Seems about right, doesn’t it?)
Cameron Stewart’s bright artwork works perfectly with the classic tone of the story. Stewart gets to really show off when the villains of the monster society show up. Mr. Mind, Sobek, and more show up looking threatening, but at the same time each of them could have just stepped from a well-drawn Saturday morning cartoon. I’m also tremendously pleased with the backgrounds. Stewart makes Fawcett City and the Rock of Eternity feel like fantastic places I want to visit. The locations almost steal the show from the tremendous figure work!
This is another GOOD issue that just reminds me that I used to love DC comics. Can I hope that after Convergence we might get some new monthlies set on these alternate Earths? I really want to read about these characters again.
Monday, January 12, 2015
This is perfectly fine for what it is. This is a somber Warren Ellis super-hero comic. With a serious tone, an introspective feel, and a very close to the movie sense of continuity. And it is perfectly fine. I liked the Arctic Harriers as odd mixes between Earth science and Asgardian magic. I especially like the way Ellis pulled the reveal of the strange creatures in the very opening of the book.
I was less enamored with his take on the Avengers. Part of that is due to his tendency to go with movie personalities for some of the main characters. But then, Hawkeye is reduced to a bumbling oaf for the entire book, so the MCU’s take isn’t necessarily the definitive one throughout the book. (Plus, Captain Marvel and Wolverine both appear here while neither has been in the Marvel movies yet.)
This is a one-shot story, but the pacing makes it clear that it shouldn’t be more. Many pages are used with the team in transit from one location to another rather than actually doing things. And while Ellis really tries to imbue the Arctic Harriers with some semblance of a personality, the lack of a true thinking, feeling antagonist keeps my interest lowered too. In my comics, I like to really look forward to the villains getting what they deserve, but I never felt very emotionally involved in the outcome of this conflict.
Mike McKone’s art is beautiful, as always. I love his use of the black and gold Iron Man armor (an armor that I’m already missing in the newer comics). I also like the cool confidence that Carol Danvers exhibits in every panel. She feels like almost an equal to Captain America, which is saying something for a team that loves Cap as much as the Avengers do.
This is a FAIR Avengers story. It wouldn’t be the first I’d recommend for folks who want a great taste of what the Earth’s Mightiest Heroes can offer, but it is a fine supplemental tale told for the movie-watching “civilian” audience.