Thunderbolts v1: No Quarter TPB

It really bums me out that we lost Jeff Parker’s fantastic take on the Thunderbolts, and all we got was this.

Now admittedly, that’s an unfair comparison; I’ve enjoyed just about everything I’ve read from Parker, while Daniel Way’s hits are far rarer for me. (I’m pretty sure he did a Sabretooth limited series that I enjoyed…)

Anyway, on to this book. The main theme of this book seems to be Marvel characters that wear black or red and enjoy killing. Venom and Punisher even give themselves costume updates to make sure that they are only wearing black and red. That just doesn’t seem like too good of a unifying theme for a team, does it?

The Red Hulk puts the team together to deal with a past sin; General Thunderbolt Ross has more ties to gamma radiation than we ever expected. He gets Punisher on board through a pretty fun coercion angle, and Venom just signs up for a senior officer. Deadpool and Elektra are mercs; I can’t imagine it was too hard for them to get involved.

The plot involves a South Asian island called Kata Jaya. The red Thunderbolts head there to take out the current dictator and his muscle, Hulk villain Madman. I’ve been reading Hulk comics for a long time, and I must admit that the Leader’s brother never really made an impact on me. Sorry!

That brings me to my favorite aspect of this collection: the Leader. Daniel Way clearly has some affection for the Leader, an while the villain doesn’t exactly set the world on fire in this first collection, it is clear that he has set himself up for a return as a big bad. The scene where Punisher finds out he is on the team is laugh-out-loud funny.

Steve Dillon has drawn so many classic, emotionally resonant Punisher story, I kept finding myself being jarred out of this story. Dillon’s Punisher is the “real” Punisher for me now; the character lives and breathes under Dillon’s pencils. It probably isn’t fair to compare Jason Aaron and Garth Ennis’ classic out of continuity tales with a Marvel U-based adventure book, but the book just feels wrong. That bite of satire, the extra gut punch of violence… it is missing.

So a team of killers working on a generic mission in a setting none of them belong in. AND, this is Marvel’s follow-up to one of my favorite runs of all time (Parker’s Thunderbolts). That makes this an EVIL choice for the next chapter of this storied franchise. 

Heroes for Hire: Control TPB

"Hello hero. This is Control. Are you for hire tonight?" I love that opening scene, mostly because artist Brad Walker does a great job flashing back to The Warriors, that sweet gang movie from the '70s. I never would have thought to put Misty Knight in this sort of role, but she does really well with it.

Dan Abnett and Andy Lanning are well-known for their cosmic stories these days, but their street-level kung-fu is strong too. Rather than put together an odd crew of street level heroes and making them into a regular team, this title actually only has two characters appear every issue. Misty Knight is Control, drafting heroes in the Marvel U, using money or the mission to inspire action. The cast is pretty varied, and they never actually show up and work together as a unit. Paladin is a bit more heroic in his portrayal here, but he's still got that mercenary streak. Moon Knight, Elektra, and Silver Sable show up for some money too, but Ghost Rider, Falcon, and Black Widow are all inspired by the mission rather than a pay-off. Iron Fist and Punisher show up too, but they don't get recruited quite the same way...

As we expect from DnA, the book is filled with off-the-wall ideas (like soul-powered rifles) and old characters we haven't seen in awhile. I particularly enjoyed seeing Silver Sable again, she's a neat character who doesn't get much time in the sun.

And who could complain about the secret villain pulling everyone's strings? I half-thought this guy was dead, I thought he bought it in Ms. Marvel's book a few years ago, but I'm not going to complain. He's a great villain and he's creepy and effective in this title.

Brad Walker doesn't get to do the whole book, but the chapters he handles look fantastic. If you like the idea of Moon Knight versus a raptor, this is the book for you, cause it looks every bit as good as you'd hope. Robert Atkins handles some art too, and he's fine, but after Walker's brilliant pages, it's a rough comparison.

Good

Dark Reign: Elektra #1

Wow. Hell has frozen over, and I really enjoyed a book starring Elektra. This is the perfect way to use her, as an engine of destruction kept in check by a despicable agency and hateful agents, so that when she gets loose, I can't wait to see her rip them apart. My favorite part of the issue was actually the HAMMER details that came out in dialogue. The repurposing of SHEILD would be a complicated thing and we start to see how that would play out in this. The line about how someone predisposed for torture would be limited in SHIELD but rewarded in HAMMER was really quite neat and gives a great glimpse into the world Norman Osborn is building. Elektra spends much of the issue tied up, but her eventual escape is handled so well that I'm looking foward to next issue. I am a bit disappointed that Paladin has totally degenerated into being a villain at this point, but I suppose that's ok as long as he remains something of a charismatic rogue. I did like him as an Avenger-for-hire back in the Roger Stern days though. Zeb Wells seems to be more hit than miss with me these days, and this is another strong offering. I'm in for the trade.

Clay Mann's art is really quite good. I don't know that I've seen him before, but I hope he gets more work. His take on Iron Man was neat and he did a great job differentiating faces on the many characters who show up in this.

Good