Tuesday, July 7, 2009

Black Knight News!


Tom DeFalco and Ron Frenz are working on a Black Knight story set during the time of King Arthur. It won't be Dane Whitman, but Sir Percy is a pretty dang neat character too, so I can't wait to see this solicited. I'll even pay 3.99 for it!


DeFalco mentioned it in a neat interview over at Ain't it Cool News.

Brave & the Bold #24

Harmless. As a follower of the Milestone universe, I'm picking up all these team-ups introducing that publisher's characters into the Marvel U. Matt Wayne does a nice job integrating Static and his world into the DCU with little bits like having Black Lightning having spent time in Static's home town in the past. With a smaller-time hero like Static, it is believable that he wouldn't have a lot of exposure to the A-list heroing set, so it was fun seeing how confident and smug Static was when dealing with Black Lightning. Holocaust was a toughie back in the Milestone days, and he stood pretty tough throughout most of this issue too. I enjoyed seeing Static constantly ribbing on both the villain and the hero here, Virgil was easily the star of the issue. In fact, when paired, Static comes off as a vastly better character, there is much more to him than the fairly bland Lightning. This was generic, but fun, so it was worth my money.

Howard Porter's pencils were fine. His work always tells the story cleanly and he does so again here. His take on Holocaust was fine, and Static looked great.

Fair

Monday, July 6, 2009

Green Lantern Corps #38

Peter Tomasi turns out another fantastic lead in to Blackest Night. There is so much plot running here, it is hard to keep up with. Honor Guard Lanterns Guy Gardner and Kyle Rayner are in the midst of transporting the wounded around the newly vulnerable Oa (it's battery-shield broke apart last issue). As an aside, it seems my new character find of 2009, Voz the Jailor Lantern, is alive, since Rayner is taking him to be fixed up. Yay!

The two Earthers head over to investigate what the Alpha Lanterns are doing with the sciencell prisoners, and it turns out they are executing them. Old GL villain Nero is one of the folks who gets dropped here, along with some cool designed Sinestro Corps folks and I assume the Red Lantern who started the breakout. Rayner gets the Guardians to agree to spare Bolphunga the Unrelenting and Kanjar Ro, since they helped turn back the prisoners during the breakout. There is a fantastic panel where the Guardians are publicly executing folks all around those two villains, and it is a horrific scene. The Guardians are fine with performing the executions publicly, and I'm torn on the issue. I think the Sinestro Corps villains deserve to die, but the new proactive and almost vindictive Guardians (led by Scar) are a spooky lot. I am amused that with the dispersal of Black Lantern rings at the close of the issue, I'm sure all those dead prisoners will be back in black next issue.

Patrick Gleason rocks this one again. As I said, the execution scene was spooky and well set up, and the Guardians look overpowering and ominous in every shot they're in. This is a Top 5 comic for me every month.

Excellent

Astonishing X-Men #30

Warren Ellis has a great handle on about half the characters in this comic. His White Queen is snooty and smug, Beast is earnest and clever. I liked his take on Armor as a new member getting over her nervousness about working with the A-team. Storm is tough and regal, while retaining some of her old nurturing ways. But Cyclops is WAAAAY to bloodthirsty and comes across as a villain. Speaking of villains, Forge comes off like a nut here, totally out of character too. I don't think this type of character progression is necessary, and in fact, is kind of pointless. Forge wanted to attack a parallel Earth through a Ghost Box, and the X-Men immediately attack him and try to stop him. Then Beast has his girlfriend Agent Brand of SWORD zap a laser through the Ghost Box anyway, and Cyclops says it was the right move. What? I really don't like where this story arc left a bunch of characters.

I think the easiest thing for me (and hopefully Marvel editorial) is to just pretend this story never happened.

Simone Bianchi's art is as beatiful and weird-looking as always. His take on the X-Men is ok, but I was almost jarred out of the story at the weird Pan's Labyrinth-y "New Mutants" we see in this issue.

Poor

Sunday, July 5, 2009

Justice League of America #34

I'm relieved that Dwayne McDuffie at least got to wrap up his Starbreaker story, even if it did go on too long. It turns out that Icon and Hardware fit into the book better than I expected, although Hardware would probably not have fit in to the team too well (unless Hawkman had come back, I bet those two would get along). Starbreaker explains how the DCU Sun-Eaters are in fact larval stages for his race, which makes sense from a nutritional point of view, I suppose. I never became too interested in Starbreaker as a villain at any point in this story though. I did enjoy all the teamwork the JLA showed in this issue, they actually won their battle through teamwork and toughness, which was nice to see. I hadn't figured I'd like this B-team of the JLA too much, but with Hardware, Icon, and Paladin (an alternate Earth Batman) the team worked out ok after all. The highpoint of the issue would be Dr. Light and Firestorm getting some nice revenge on Shadow Thief. I particularly liked Firestorm mentioning Ronnie Raymond, the previous hero to bear that mantle.

The art by Ardian Syaf is suitably consistent with Ed Benes and the other pencillers throughout this story. I do wish Rags Morales could have done more issues with McDuffie, I think that would have improved this story greatly (or even Chris Cross with a decent amount of time).

As a whole, this doesn't stand out as a fantastic run for Dwayne McDuffie. I usually love his work and he did have some shining moments in this close to 2 year run, but I'm ready for some new creators with a freer hand to come in and tell less editorially-mandated stories. I will give Len Wein an issue to win me over with his fill-in work, but I'll definitely be back when James Robinson and Mark Bagley take over.

Average

Ultimate Power TPB

This was actually a pretty enjoyable trade. The whole time I was reading this, in the back of my mind I was thinking how none of it really matters since the Ultimate U is being destroyed in Ultimatum. But since I haven't read that, I tried to go ahead and just read this story for what it was. It actually functions quite well as an inter-universe crossover.

There is no complex plot to be had here, but the trade delivers all the face-offs and rivalries that I hoped for. The Blur/Quicksilver fight was quite neat to see, and who wouldn't dig Thor vs. Hyperion? Of course, I would prefer to see more from the mainstream Marvel U heroes vs. the Squadron Supreme crew, but at least we get one of those two groups. Having the "classic" Squadron show up was a fun and unexpected bonus. I love that by having them get pulled into this story, we are basically tying the different Earths of Marvel even more closely. Each of the main writers (Bendis, JMS, and Loeb) play to their strengths here, and splitting them up like this kept me from getting tired of anyone in particular.

The regular stars are the major players once again, as Spider-Man, Thor, Fury, Mr. Fantastic, and Thing get the best lines from the Ultimate crew. I certainly didn't understand Power Princess' motivation in going to the Ultimate U, but having Fury stay in the Supreme Power universe is a cool idea. I did like that the two mega-villains Dr. Menace and Dr. Doom got to stir up all this trouble once again.

Everyone hates Greg Land, making him probably the most-despised artist on the internet. I don't hate his art. I can deal with each panel basically looking like a freeze-frame pin-up shot. I prefer more standard storytelling, but especially when dealing with characters I only kind-of like (like the Ultimate and Supreme characters), I'm fine with him using this style.

Good

Saturday, July 4, 2009

X-Men: Sins of the Father TPB

What a fantastic idea for a team up. Putting Professor X as the lead of an X-book would have once turned me away, but pairing him up with Gambit and having the two of them wander through X-Men history? That's a great idea.

Mike Carey is meticulous in his exploration of the Professor's past, this trade lays out mistake after mistake and shown all together, we see how shady the Professor has been in dealing with his students over the years. The Black Womb portion of the trade has some fairly generic fighting, as Amanda Mueller's flunkies deal with Gambit, Prof X, and Sebastian Shaw. Carey jazzes it up a big by making Prof X an unknown since he is fighting for control of his body with Mr. Sinister. The Cronus device (built to overwrite certain mutant's DNA with Sinister's own) is a great idea, and I'm actually ok with the creation of Miss Sinister based on this background. Mueller and Sinister are a lethal combination.

The rest of the trade deals with Emma Frost forcing Prof X to re-examine himself even further. Like the Prof, much of what he did can be rationalized away, but it was upsetting to see him dealing with all of his actions at once. I really like the new "strong" Cyclops. Him bringing Emma along to turn the tables on the Prof was a great move and forced the story continue to focus on Prof X's redemption. I'm looking forward to the next chapter and seeing Rogue move on from her current exile in the Australian outback. The most impressive thing about this series is how seriously Carey takes his research. His bibliography at the close of the book was wonderful and showed just how much he loves the X-franchise. You don't think about this that much without a genuine affection for the characters and their world.

Scot Eaton has been a fave of mine for years, and he does a fantastic job in this collection. He apes many artists' styles throughout these pages, and handles them well. I'm used to seeing Eaton's style on bulked up dudes, but he does a surprisingly good job with the cerebral aspects of the story too.

Good