Showing posts with label Inhumans. Show all posts
Showing posts with label Inhumans. Show all posts

Monday, March 2, 2015

Inhuman v1: Genesis TPB

After reading Charles Soule’s She-Hulk and Death of Wolverine, the guy can really do no wrong with me. That said, I have less than zero interest in the Inhumans as the core protagonists of their own series. Making matters worse, knowing that Marvel is “pushing” these characters so dang hard makes it even harder to really be invested in them. I like the OLD X-Men; I don’t need their corporate-approved replacements, even if it makes sense from a Marvel Cinematic point of view. (For wrestling fans, it is sort of like how I can’t get into Roman Reigns because you just KNOW that WWE has anointed him the next big thing.)

Because let’s be honest with each other, this book is essentially the X-Men. There are some different trappings thanks to Medusa’s royal status, but c’mon. She’s Professor X, reaching out and discovering newly powered people and bringing them back home. She’s got her core team of X-Men in the royal family. And we’ve got newly discovered “mutants” like Inferno.

Oh! Medusa is also racing against an evil Inhuman who is out to gain influence over these newly powered individuals. Just like Magneto and the Brotherhood of Evil Mutants. In just about every way, this is an early-era X-Men comic.

I will admit to being puzzled at the use of the royal family though. None of the new Inhumans have grabbed my interest, yet old faces like Gorgon and Triton really haven’t had much to do. I know Karnak is dead after stupidly killing himself in the Inhumanity one-shot (which was a stupid and short-sighted decision to start with), which doesn’t leave us with a lot of big-time characters to use. Frankly, I think this book would benefit from using Crystal. She’s got a good look and nice power set (although I guess Inferno has the fire part covered). Heck, if Soule could get Quicksilver to make some appearances, that would help too.

Right now, this feels like a bunch of stuff being thrown against the wall to see what sticks. Maybe Inferno will end up being a character I can really get behind, but for now, there are no new Inhumans that I’m rooting for. Now is that my established prejudice against the Inhuman concept? Or is it that Soule hasn’t hit on the right character yet? I’m not sure; all I know is that I’m reading this book waiting to be hooked.

The most obvious strength of this title is Joe Madureira’s art. After all these years, I still love his manga-influenced style. I love the huge shoulders and chiseled chin on his male characters. I love the bubbly bodies on his ladies. His work just screams 90’s comics, and since I dug comics in that time, the fit is a good one for me. I’m not sure if Madureira made the choice or not, but other than Medusa, no one is wearing spandex in this book. That robs Mad of one of his strengths, he is dang good at drawing super-heroes; I feel he’s a tad wasted drawing ugly looking mutants. Sorry! I mean Inhumans!


This book isn’t awful, but man, it sure needs something else to hook me. Right now this FAIR comic is feeling way too forced. 

Sunday, December 29, 2013

12 Days of X-Mas Day 5: X-Factor Annual #2 (1987)

Oof. Losing the Angel really throws off the chemistry for this team.

I'm not sure if Jo Duffy was trying to clean up Quicksilver's villainous portrayals in the Marvel U or what, but this is a reclamation project. Of course it was Maximus the Mad causing Quicksilver to behave so badly. And of course X-Factor can handle the problem.

It is weird, for a story that is fixing Quicksilver, he sure doesn't get a ton to do here. He spends too much of the issue mind-controlleld!

This is the first meeting between the original X-Men and the Inhumans, and things go fairly smoothly. Triton has a role much more front and center than I'm used to, while Gorgon fades into the background. Karnak gets some work too, but this is mainly a Black Bolt and Medusa show.

The problem? The Inhumans are boring. This is perfectly serviceable, but I never really got interested in the conflict because it was Inhuman-based. Even worse, there is a ton of cutesy Franklin Richards baby talk to make this even harder to bear. When things break down and the action starts, business does pick up nicely. But it almost too little too late.

Tom Grindberg's art can't really compete with the other artists I've been finding in this flashback review. I will say the inking by Joe Rubinstein is noticably effective, especially on shadowed shots of the main cast like Cyclops.

Yeah, so this is just sort of there, not awful, not great. I think this might have been when X-Factor started to lose its charm for me.