So I have a big question concerning this issue (and
Convergence in general). Is it my problem, or DC’s problem, that I vastly
prefer the Convergence-era characters to the ones available monthly? I don’t
think I’m alone in this. I mean, I’m naturally drawn to reviewers whose
opinions are similar to my own, but it sure seems to me that people really like
seeing the “real” versions of these characters, not the watered-down new 52
folks.
Anyways, on to the actual issue. Tony Bedard has been an
inconsistent creator for me. Some of his work has been absolutely brilliant,
combining the best aspects of continuity and characterization into a great new
creation. But some of his work (mostly new 52 GL stuff) has seemed a lot less
inspired. Fortunately, Speed Force has the good Bedard working on it.
Wally West, along with his kids Jai and Iris, have been
trapped in Gotham for a year. Hidden away on an alien world under a dome, Wally
is having a hard time adjusting. He spends each day trying to figure out how to
break free. He’s justifiably concerned that a year apart from his wife Linda
will have her pretty worried. I thought it was interesting that Wally’s
identity seems to be public knowledge in Gotham these days. (Although maybe
that was the status quo in the old days too, I can’t remember.) Either way, I
find myself pretty bummed at the idea that the old DCU is truly destroyed and
this Gotham City is the last surviving remnant of that world.
My favorite thing about this book is Wally West’s attitude
about the “contest” between the surviving cities. When Tellos flashes an image
of the Flashpoint Hawks demolishing the Justice Riders, Wally’s first instinct is
to race out to try to help them. He doesn’t even think twice. How wonderful is
it to see that kind of concern for strangers in a hero again? Then, to make
matters even better, we get Fastback the turtle from Captain Carrot’s Zoo Crew.
I have ZERO idea who Fastback is. I can only recognize
Captain Carrot from Multiversity. But FB’s attitude about Tellos’ contest
mirrors Wally’s, and my own; of COURSE there is another way. What kind of hero
would just go along with a battle to the death to amuse some weird cosmic
voyeur? Man, that is what DC comics are all about, heroes thinking outside the
box and doing the right thing. It has been too long!
So the plot is OK, the setting is a little watered down, but
these are the versions of the characters I love. Wally’s kids complicate his
story a bit, but we’ve seen Wally’s journey as a hero start with childhood and
continue into fatherhood. For Wally, his maturation is integrally tied to his
hero’s journey. Iris and Jai are fun complications without being stupid or a
disadvantage, a nice change for most kid supporting characters.
And Tom Grummet’s artwork. I always like Grummet’s stuff,
but seeing the clean lines of the real Flash costume again? Seeing the costume
so bright and inspiring? Man, it really makes me miss DC comics. I’m impressed
that Grummet even made Fastback fit into Wally’s more grounded-Gotham. It pains
me to admit, even Flashpoint Wonder Woman looked pretty dang imposing and cool
on that final page.
So this is a GOOD comic. But my goodness, does it drive home
how alienated I am by the current DCU. I think that will probably be the
subject of a bigger write up after I read some more of these Convergence
throwbacks.
1 comment:
If I can give an answer that is a bit of a cop-out to your question, it is both DC's problem AND your problem. It is DC's problem in that they should give consumers stories they enjoy, and its telling so many fans like the older versions of the characters. However, DC wants to be more "modern" and try new things, which means they can't make all the fans of the older characters happy too. What is the solution? There isn't really one, or someone would be rich off of sharing it.
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