Well, separated from my beloved Avengers (and SHIELD, and
the Fantastic Four) I find Jonathan Hickman’s tics and tricks a lot less
annoying. All your favorite Hickman elements are here. Mysterious prophecies
known only to some of the cast. A looming end of the world conflict. Alternate
histories making the reader even more confused. Heck, it even has a protagonist
that really isn’t much of a good guy (like many of the Avengers these days).
All that said, when it isn’t the Avengers or another Marvel property, I don’t
have a problem with it.
I came into this book totally cold, with literally no idea
what the book is about. It turns out to be fairly complicated, but by the end
of the first trade, things have cleared up nicely. Three of the four horsemen
of the apocalypse have been reborn as very dangerous children, and they spend
all their time traveling the world making sure that things keep moving the way
they are supposed to (towards the end times). Certain powerful individuals are
either profiting from or helping those end times along.
The powerful folks helping the Horsemen give us a nice
glimpse into the alternate world we are reading about. America is divided, with
a Native American nation and a new China, things are very different than the
world we know. Add in that the familiar elements of America are either
futuristic or Wild West archaic, and that makes for one mixed-up but
interesting setting.
The last horseman, Death, has not been reborn as a child.
After falling love and fathering a child, Death is instead riding around the
Earth avenging the death of his wife. Since this version of Death is a big mean
cowboy riding a robot horse with no head, that revenge takes the form of
shooting an awful lot of people. Death and his allies are not heroes in any
sense, but it is easy to start rooting for them when you see the other
horsemen’s corrupting influence. I actually found myself more interested in the
dissention in the ranks of the secret society more than anything else.
(I also loved the search for a new President after Death’s
visit in the first issue. It was refreshing to see that so many of those
government servants were unwilling to go along with the three horsemen’s
demands.)
Nick Dragotta’s work isn’t exactly realistic or dark, but he
is still a great choice for the book. The world is both foreign and familiar,
and the character designs are memorable and easy to “get.” Death’s two Native
American companions are going to be hard to top, though; they are pretty dang
cool with their simple white and black designs. I also found myself fascinated
by Death’s headless horse. I’m glad it seems to have survived the first
collection!
This looks and feels like a Vertigo book that I would have
gone crazy for back in college. So maybe I’m learning that Jonathan Hickman
actually writes GOOD comics, I just don’t like the mix of his ideas and my
classic super-heroes!
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