It took me three years to read this hardcover. It isn’t that
it is super long, but I felt that a Christmas story like this should be read
about the holidays, and the narrative is so dense and purple that I’m afraid I
couldn’t get through it. Three years in a row I tried, only finally managing to
finish this year.
Let’s get the good stuff out first. Lee Bermejo’s art is
beautiful, realistic, and striking, as always. His Catwoman looks poured into
her shiny leather suit. His Superman is a golden god with a unique take on the
S-symbol that has clearly inspired other artists. The Joker is a horrific,
realistically-scarred madman. You can’t look at Joker and not feel queasy.
Every aspect of the art is a triumph. The flashback costumes of yesteryear. The
batmobile that looks like it is ready to rocket off the page. Even the coloring
is luxurious.
But man. The story. This is the story of Scrooge if he were
Batman with a cold. Bermejo never lets an opportunity for convoluted language
and symbolism to pass him by. Bermejo is so desperate to make sure this story
is “adult” and serious that it is an absolute chore to read. My god, I’m
exhausted just thinking that Bruce Wayne’s quest on crime is the same as
Scrooge’s lack of Christmas spirit.
This is a beautiful comic that hurt me to read. So overall, an
EVIL comic, but let’s not take away from Bermejo’s immense talent. As an
artist, he’s unmatched.
2 comments:
I'm glad I passed on this. I'm always wary of artists who are allowed to write their own scripts. DC doesn't have such a great track record in that department.
Agree with Dan on this one. Need 0nly look at Tony S Daniel to see that DC need to stop giving good artists writing gigs. Sounds like it's still not paying off.
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